Production was handled by Ocean himself, alongside a variety of high-profile record producers, including Malay and Om'Mas Keith, who collaborated with Ocean on Channel Orange, as well as James Blake, Jon Brion, Buddy Ross, Pharrell Williams, and Rostam Batmanglij, among others. The album features guest vocals from André 3000, Beyoncé, and Kim Burrell, among others. It was released on August 20, 2016, as a timed exclusive on the iTunes Store and Apple Music, and followed the August 19 release of Ocean's video album Endless. What's your No 1 album of the year? Vote in our readers' poll.Blonde (alternatively titled blond) is the second studio album by American singer Frank Ocean. Channel Orange topped this poll with more than three times as many votes as the record before it. Frank Ocean is a forceful songwriter, an original voice, and a man who makes albums that could only be made by him, in an age of kit-build superstars. Super Rich Kids combines a Less Than Zero tale of dead-eyed excess with an intricate metaphor for the global economy, topped off with a shock death: "Some don't end the way they should/ This silver spoon has fed me good." Critics of rap and R&B often miss the intricate storytelling involved, but this lays it bare, and makes it look easy. He is viciously sarcastic (Sweet Life's "Why see the world when you got the beach?") and resignedly glum. Ocean takes aim at LA's rich kids, consuming their way through a numb haze of privilege.
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There is more here than just a series of well-executed confessionals, however.
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Bad Religion, the string-soaked pinnacle of his romantic turmoil, sees him crying "I could never make him love me" to a taxi driver who can only offer the inadequate salve of God. "My eyes don't shed tears, but boy they pour, when I'm thinkin' bout you," he croons on the former, while admiring his paramour, "so buff and so strong", on the latter. This shouldn't be of note in an ideal world, but it is, because this isn't. Channel Orange is bookended by a pair of love stories the beautiful, tentative Thinkin' Bout You and the fond farewell of Forrest Gump, both of which are addressed to a man. Ocean has honed his cinematic eye for story here, telling complex, visual tales through a variety of narrators. If it's musically impressive, then its lyrical reach is frequently astonishing. Ocean says he spent weeks working on just the vocal tone of the four "ohs" that open the track. Remarkably, all of these disparate strands sound taut and together. It's an upbeat electro smash and a sleek slow jam. Ocean is a spurned king, a pathetic pimp, and lonely boyfriend. The epic Pyramids, the album's midway point, is a 10-minute sprawl that turns ancient Egypt into a strip club, and Cleopatra into a weary pole-dancer. I have played it half to death and still it continues to reveal new details and tricks. Its direct inspirations were Pink Floyd, Sly and the Family Stone, Prince and Jimi Hendrix, though it never sounds derivative or retro, but grand, inventive and ambitious. Ocean's producer Malay has spoken about the recording process, revealing that there were barely any leftovers from the sessions, which gives an idea of the precision involved. Like Beyoncé's 4 (which contains I Miss You, an Ocean composition), its tracklisting doesn't feel like a commercial exercise – it starts slowly, rather than with an attention-grabbing banger, and takes its time to build in tempo and mood. It insists you listen to it from start to finish, to experience the considered unravelling of its carefully plotted pace. It is an album that demands to be received as such, a true long-player in an age of cherry-picked tracks and edited highlights. It's a staggering achievement of rare scope and variety, an album that builds on Nostalgia, Ultra's foundations and brings that vision to completion. It was startlingly intelligent and new.Ĭhannel Orange, though, far outshone both Nostalgia, Ultra and Ocean's Odd Future colleagues. Novocane was an indie-film love story, all sepia tones and drugged anti-romance. Swim Good told the tale of a desperate murder-suicide. It was a promising start, particularly in its narrative reach – Ocean pulled the strings of his songs' characters with easy artfulness. His debut album Nostalgia, Ultra came out that same year as a mixtape leaked by Ocean himself, frustrated by the slowness of his record company in releasing it. But it was Frank Ocean, the oldest, most soulful member of the crew, a singer more than a rapper, who made the biggest waves. When he released the single Yonkers in February 2011, it brought global attention to his LA rap collective. Tyler, the Creator was supposed to be the breakout star of Odd Future.